Archive for 2013

Monday 30 December 2013


So that I could clearly understand and interpret this script, I decided to break it down so that when I create my story from the script; I have a clear understanding of whom is in the script, what it is about; what’s happening, where it’s happening; and why it’s happening, resulting in the resolve from this scripts series of events. This will also help identify each of the individual elements that is in this script, which I could use to help convey the ideology of my stories genre/theme; such as character design, set design; location selection, props and so forth.

This breakdown is going to act as a basic blue print for me to build up off of. 

Script breakdown
Characters
  • ·      Main character
  • ·      Second main character
  • ·      Side character/ bystander

Scene locations
  • ·      Home

o   Front room (scene 1)
o   Bathroom (scene 2)
o   Entrance of the house (scene 3)
  • ·      Route 1 (scene 4)
  • ·      Route 2 (scene 5) – side character passes by
  • ·      Route 3 (scene 6)
  • ·      Route 4 (scene 7)
  • ·      Route 5 (further up the road from route 4) (scene 8)(meet location)
  • ·      Location 6/5 new characters location towards the meet point (scene 9)
  • ·      Meet location 5 (scene 8)
  • ·      Home (scene 1)


Props
  • ·      Bed/couch (home)
  • ·      Mobile phone
  • ·      Clothes to get dressed i.e. coat/jacket, hat, trainers (home)
  • ·      Mirror (home)
  • ·      Tooth brush (spit blood in the sink) (home)
  • ·      Sink (home)
  • ·      Women pushing pram (Route 2 props)
  • ·      Guy talking on his phone (Route 2 props)
  • ·      Guy walking dog making ‘Main’ want to watch cautious (Route 2 props)
  • ·      Watch, or time on the phone
  • ·      Push bike? (Route 6/5props)
  • ·      Car (Route 6/5props)
  • ·      Motorbike (Route 6/5props)
  • ·      Jacket
  • ·      Undefined Package 
Story overview: 

Main character wakes up from a deep sleep at its home location. While at the home location a phone rings, the main character answers this phone and exchanges a few words: presumably confirming a meet location. The main character gets ready (brushes teeth, washes face and so forth) and leaves its home location to go to the meet point.
On route to the meet location a passer by catches the attention of the main character, however, this does not throw the main character off from its course as it continues to the meet location. 
At scene location 7, the main character checks the time to make sure that they’re on schedule; advancing further up the road to scene location 8. Once the main character reaches the meet location, the main character pulls out its phone and dials a number: confirming to the person on the other end of the line that they’ve reached, and asking where they (second main character) before ending the conversation.
At scene location 9 we see the feet of the second main character, travelling towards the meet location. Meanwhile at scene location 8 the main character is fiddling with the thread on its coat, waiting for the second main character. An unidentified sound alerts the main character: turning around the main character notices the second main character approaching carrying an “undefined package”.
They have a brief conversation as the second main character hands over the “package” to the main character. The second main character then turns to walk away: leaving the main character behind.
Back at the main characters home location, the main character is sat down in the trappings of their lifestyle: viewing the content of the “undefined package”, which clearly influences the mood and atmosphere of the main character.




Conclusion

Once i've thought of an idea for this script, I shall use this breakdown as a basic building block to work from: so that it saves me time and hassle allowing me to focus more on the story where i've already broken down the main parts of this script.
Sunday 15 December 2013



Genre: Thriller

“These include such genres as mystery, detective movies, gangster movies, crime, spy films, science fiction, film noir, occult and haunted house horror movies. An atmosphere of creeping menace and sudden outbursts of violence, crime, and murder characterise these films; the withholding of crucial information from the viewer is also an important device, as are action set pieces such as gunfights and chases. Thrillers often present a vision of the world and society as dark, corrupt and dangerous, but in Hollywood they usually feature upbeat endings in which evil is overcome and the status quo is restored, often with lingering side effects.”


Theme

The theme can arbitrarily be taken for one or even a collective of these suggested themes in the list below, because when you view the picture your witnessing many themes at the same time, the way how I’m going to story board this story will hopefully help convey the idea of some of these selected/suggested themes below.
Depression, suicidal, lonely, death, despair, evil/sin, fear, illusion reality, spiritual/ fighting inner demons.

The idea/story

Ophelia, a 38 year old widow whom has been made bankrupt because of her husband’s death; taking on his financial debts, with nothing to live for; commits suicide by overdosing on pills to put herself out of misery. She attempts to flood her house in the process so that she can drown away her sorrows with her demise. Having overdosed on the pills, she entered into an unconscious, mysterious; surreal, timeless; hyper-reality, parallel universe of her suburban house surrounding.

Because the lights in the house have been switched on constantly for a week straight, the neighbours are suspicious as to what has happened to Ophelia. A neighbour decided to contact the police and notify them about the house; and also the recent events what has happened concerning Ophelia. Two police officers were dispatched to go and investigate the report. Up on arrival to Ophelia’s address, walking up the pathway to the house, before they reached the door they were greeted with the most prevalent, overwhelming disgusting musty mist of stench, which smelled like wet earth mixed with stale cider and cigarette smoke; to which immediately they rushed to the house and began to bang at the front door to see if anyone was behind it before they broke it down to enter.

Meanwhile, while we’re still exploring this unconscious, timeless, hyper-reality; parallel universe, we’re distracted by the prominent sound of the house phone ringing, gradually getting louder; which signifies us to wake up (exit this hyper-reality; parallel universe); to which we are then brought back to reality as we hear the door banging, and shouting from outside, assisted by police walkie talky sounds. The police eventually break the door down, and are overpowered by the strong smell of death as the water gushes out the door onto the pathway, surrounding their feet carrying Ophelia with the current, whilst the audience of neighbours, startled, watch in awe.

The end.


Characters



Name: Ophelia
Age: 38
Ethnicity: white
Physical appearance:  5 ft 5, dark brown hair, brown eyes, smooth skin,
Marital status: Widow

Personality trait
Polite, sociable, well spoken, responsible, kind, gentle, loving, and morally vigorous. But ever since her husbands’ death she has become upset, stressed, agitated, unsociable, escapes to an alternate reality in reading books and rely’s on consuming off the shelve drugs for happiness,



 

Name: Police
Ethnicity: One officer is black and the other white.
Age: 36/37
Physical appearance: one is overweight with a endomorph build and the other has a slim mesomorph build


Pitch

Recently widowed, faced with financial crisis, house about to be repossessed, Ophelia normally drowns her sorrow to escape reality, but this time there’s no return.



Monday 9 December 2013


Using photoshop, I made a canvas bigger then the photograph and deconstructed the different elements in the picture; using the mind map method, also making brief comments as to why certain elements might be placed in their location, and what could it signify (pills on the table, overdose?),  and what could be happening around other elements such as the window (outside noise, birds chirping?).






Conclusion

From the analysis of this photograph, its definitely helped me to identify many different elements/sounds i could use, and also different angles/orientations of the how i could display this picture to help produce my 'story'





I've been doing some research to understand exactly what this picture is about, and what is happening in this picture from different art critiques interpretations; and have found some really good breakdowns of the scene description plus ideas about the narrative from these two sources.





Ophelia by Gregory Credson

Post By Donbullock 

SUNDAY, NOVEMBER 22, 2009


In Ophelia, Crewdson takes the setting of a flooded suburban house and introduces a floating female corpse. The furniture and style of the interior of the house is very plain and could be almost any older middle income suburban home. The introduction of water, as if the neighborhood has experienced a flood would make for an unsettling photograph, but Crewdson takes the process one step further and introduces a floating corpse to the composition. The introduction of the corpse should make the scene demented, but in a strange way it matches the calm water and adds a weird, all be it morbid, tranquility to the scene. Crewdson divides the aspects of his set for Ophelia into an upper half and a lower half. The upper half of Ophelia is mundane and normal suburbia while the lower half, defined by the water level is mysterious, surreal and sinister.
Crewdson creates a private space that he invites the viewers to peak into. The lines of the stairs, corner of the room and furniture guide the viewer’s gaze to the floating corpse. The corpse is framed by the flood water and the viewer is left to guess what lies just below the waterline. The position and pose of the female corpse is of interest. Instead of floating lifelessly, limbs sprawled, the corpse is rigidly posed with arms to her side and feet together. The corpse creates an unnaturally harsh horizontal line.
http://donaldbullock.blogspot.co.uk/2009/11/ophelia-by-gregory-credson.html




CONSTRUCTED REALITIES AND METAPHOTOGRAPHY: 
GREGORY CREWDSON'S TWILIGf-ITSERIES 
by 
Ashlee Cook 
A thesis submitted to the faculty of 
The University of Utah 
in partial fulfilment of the requirements for the degree of 
Master of Arts 
IN
Art History 
Department of Art and Art History 
The University of Utah 
December 2009

CHAPTER 2 

TWILIGHT AND PHOTOGRAPHIC TRUTH 

Gregory Crewdson's photograph Untitled (Ophelia) depicts an ethereal woman 
floating in the center of a flooded living room. The walls are lined with floral wallpaper; 
family portraits hang in a row above the stairs. An exterior light source muffled by 
shutter-covered windows adds a strange atmosphere to the dark room. The interior is 
decorated with contemporary furniture; a bookshelf, a table, a couch and a chair all half 
submerged in the still, dark water. Little traces of life are scattered around the typical 
suburban house, pedestrian objects like coats hung on hangers, slippers discarded on 
stairs, a glass of water and an open pill jar on the table. The woman's translucent 
nightgown emphasizes her pale, limp body. Her dark, cold eyes remain open and her lips 
slightly apart. 
Ophelia is both haunting and alluring. The mystery surrounding the woman in 
this photograph and the implied narrative of her drowning provoke more questions than 
answers. The carefully crafted composition including the line of the stairs, the curve of 
the couch, and the three diagonal windows on the door that are reflected in the pool of 
water brings the focus continually back to the woman in the center of the image. The 
strange lighting highlighting her cheekbones, chest, and hands emphasizes her beauty, and simultaneously, her death. It is easy to fall into the photograph, be held captive by it 
much like a child stationed, eyes transfixed in front of a horror film in the hazy aftermath 
of tragedy.



Conclusion

From this research, it has definetly helped me towards analysing this photograph from an experienced/studied point of view; saving me time on trying to understand it myself. This has also helped me to deconstruct the picture to find the different elements in the scene such as, the slippers on the stairs; the pills on the table next to the glass of water, to which, whilst doing so i'm identifying the different sound elements in the picture and its giving me ideas towards different narratives for this photographs story.


Sunday 8 December 2013



So that i know what i have to do, i've outlined the main things that i need to make sure i've covered whilst doing this project so that i can keep on track. Like a guide/plan/ project blue print for me to follow.


Check list for sound design film:

Research artist
Research example of this style of sound design on picture
Choose picture
Research picture
Examine elements from picture to build up sound library list
Create story or an idea about the picture
Create intro and outro title that compliment story
Create storyboard
Produce the story
Edit in post

Conclusion
All of the sections on the check list are tasks for me to make sure i've covered, for each task it will definitely have its own sub tasks (i.e. research, idea development, equipment and so on) that will have to happen in order to complete the task. But so long as i have my main objectives i know that i'll be on track.

To see what examples is out there I decided to search around on the web to see what I could find; surprisingly it was really hard as there is not much material out there that fit this genre of art. I Crawled the web typing in keywords that would relate to this area of art to see what examples I could find, I found few but not nothing with such detail as used in cinema, mostly student or nature stuff, which is still good. However I did come across a style of photography I didn’t know about called Audiography which is someone video/audio recording where their taking a picture of, which is a good idea, because you could build up your own sound library of uniques sounds from the location your taking a picture of at that time.

These are the keywords I used in my searches:

Still Images with Sound
Still Images and Sound
Sound pictures
Still picture movie
Still image sound design
Sound and shot
Picture with sound
Sound motion picture
Audiography

These are the results that came up which I liked:












Example of Audiography


Saturday 7 December 2013



I've decided to do some research on Gregrey Crewdson since this project is based off of his work, and also to find out what sort of person he is, the way he does his work, and also the inspiration behind his work so that I could possibly understand the ideas his trying to convey in his work of art.

So just who is he?


Gregory Crewdson (born September 26, 1962) is an American photographer who is best known for elaborately staged scenes of American homes and neighborhoods. Gregory Crewdson's photographs usually take place in small town America, but are dramatic and cinematic.They feature often disturbing, surreal events. The photographs are shot using a large crew and are elaborately staged and lighted (from Wikipedia).












interesting read about his inspiration and thoughts on his work in interview he done features in the telegraph


Dead calm: an untitled 2007 photograph from 
Gregory Crewdson's 'Beneath the Roses' project

"I've never seen my pictures as particularly dark," Crewdson responds. "To me they're really about beautiful evocative moments." In a preface to the new book, the novelist Russell Banks writes: "Crewdson's secret inner life is surely revealed by his photographs." Does the artist think that he's got a point? "You have to pay attention to your own subjectivity," he says.



A good paragraph taken from an art website by written by simen 



Alex Soth born( 1969) American photographer
Alec Soth has said that photographs can’t, or at least rarely tell a story. There is no beginning, middle and end, there is simply the moment. You can’t tell a story in one single instant. Unlike narrative art, like literature and movies, a photo can’t tell a story by itself; it’s like tearing a single sentence, page or chapter from a larger novel or short story, but even that metaphor is weak, because even a sentence can show a progression in time or character, but a photo is forever a single moment — there’s no past, present and future, there is only the present. You can begin to tell a story by assembling a sequence of pictures, or combining them with text, but Crewdson does neither. The pictures in Beneath the Roses are united by theme rather than by story. Instead, Crewdson uses the photographic medium’s great deficit, which is also its strength, namely that it captures a single moment precisely, rather than a sequence of moments approximately. Crewdson’s pictures don’t tell a story, they evoke a story, and likely a different one in each viewer.



Russell Banks (born 1940) is an
American writer on fiction and poetry
Crewdson’s pictures are often compared to movies, both for their large-scale production and for the look of the 
end product.The one sensible observation in the introductory essay by Russell Banks is that Crewdson’s pictures resemble movies, but are unlike movies in that they can’t and don’t tell a story: instead, they’re open-ended, they invite the viewer to imagine a story for themselves. According to Banks, this makes them less passive than a movie, because in a film, the audience’s imaginative liberty is taken away as the story is laid bare in front of their eyes. Literature, on the other hand, gives you the story but leaves you to picture it, while photography in the Crewdson style gives you one visual moment and invites you to both imagine and picture the rest. Thus, according to Banks, Crewdson’s audience is less passive than the audience of a movie, even an art movie.



Conclusion

So yea this research i feel has been very useful, from knowing nothing at all about Gregory Crewdson, to now understanding some of the inspiration behind his work and the detail he puts into it; and also how his work is interpreted has definitely given me some more creative ideas towards my approach for the planning of this project, so hopefully the sound design i create would  match the way how the picture was intended to be perceived as.











Warning this post contains very violent scenes! 
(also a video at the bottom of the page might start automatically)

This post is sort of a brain map post of my analysis of angry within media from what I’ve experienced over the years and with knowledge gained from the course so far.

So what is Anger?


A dictionary definition states that angry is “someone feeling or showing strong annoyance, displeasure, or hostility; full of anger.

For this project we’re to interpret the script in any way we see feasible, to help portray the idea of an angry character. Somebody whom is angry could be for a number of possible reasons. They could be a genuinely miserable person who’s pissed of with life, the job their working in, their family and so forth, or they could be a protagonist whom is out for revenge over the killing/abduction of their loved ones using violence as a means to question those involved. Or even an antagonist trapped in a protagonist’s body displaying a sort of bi polar split personality with the protagonist being a polite kind person, but could switch into an angry violent abusive personality at any given moment.

So to piece together my own personal experience of seeing how angry characters are represented in different genres, here are some examples of angry characters to help get an idea of how they’re portrayed in the roles they’re playing as either the antagonist or protagonist.

For this research I’ve categorised each character into sections such as:
  • Protagonist
  • Antagonist
  • Protagonist & Antagonist
    • This could be a character whom has conflicting personalities
    • On a path trying to find themselves but is filled with anger hate and revenge 
    • Could be evil but then changed into a good person, but still have their angry personality



Protagonist characters



Happy Gilmore

In this film, Adam Sandler portrays an agngry character that doesn't have a pleasing attitude towards things that cause him problems leading him to use violence as a means to overcome it.



Karen Hill in Goodfellas
Karen Hill, wife to Henry Hill, played  by Lorraine Bracco is a character whom  is initially troubled by Henry's criminal activities, but is soon seduced by his glamorous lifestyle. They start the film off as love birds, but throughout the film you can see the stress and anger getting to her as she's fed up with Henrys absence in the house and the affairs his having. Her role in the film, is a brilliant example of the journey through anger.



King Leonidas in 300

King Leonidas Played by Gerard Butler in the film 300 shows his anger through passion for his cause to refute the idea that the spartans will surrender to the Persians
 





Goku Dragonball Z




Goku is known for his cheerful, energetic personality and his love of competition (specifically sport fighting and eating). He has remarkable intuition at seeing the good in others in spite of their actions, though his capacity for forgiving his enemies has occasionally been criticized as excessive; Goku, for the most part, only fights to win, and spares his enemies after defeating them only for them to attack him when his back is turned. Goku can feel incredible anger in cases of extreme turmoil, such as the death of a close friend/relative, or when someone murders many innocents needlessly(taken from wiki)


"I am the hope of the universe. I am the answer to all living things that cry out for peace. I am protector of the innocent. I am the light in the darkness. I am truth. Ally to good! Nightmare to you!"
— Goku as a Super Saiyan toward Frieza in "Explosion of Anger"




Antagonist Characters


Joe Pesci






One of my favourite actors of all times, whenever theres a role for an angry mobster short guy, Joe Pesci is the man, he always plays his roles perfectly!!


Casino


In this film Joe Pesci is playing the role of an angry mob man called Nicky Santoro 




Goodfellas





Jules Winnfield in Pulp Fiction

Jules Winnfield played by Samuel L Jackson in Pulp Fiction 








This character has also been used outside the of the Pulp Fiction film to be Hockey coach, still portraying the same angry characteristics 




Sully Top Boy
Sully, played by Kane Robson (KANO) in the Channel 4 series Top Boy based in London, is an aggressive, angry, modern 'road man' thug that you would find in everyday life in and around london.

Unfortunately i couldnt find many good clips on the web of him showing this but in these episode you can get a rough idea of his character


Protagonist & Antagonist

Tyler Durden Film in Fight Club 


Tyler Durden, played by Brad Pitt in Fightclub, has conflicting ideologies which happen throughout the film, kind of like a split personality. One half of him represents the normal everyday working office guy and the other half of represents an oppressed beast waiting to be let loose fuelled with rage, anger, violence and other primal aggressive needs.

“You're not your job. You're not how much money you have in the bank. You're not the car you drive. You're not the contents of you wallet. You're not your f**king khakis. You're the all-singing, all- dancing crap of the world.” quote from the film



Vegeta aka Prince Vegeta Dragonball Z




On introduction to the DBZ series he was an evil character and slowly as the series progressed towards the end he became a good guy. However, in the series he is portrayed as a arrogant, angry, power hungry, and because of his hunger for power this is what makes him more angry as he bares a grudge against Goku whom is stronger than him, to which Vegeta having lost to Goku before wants to prove his strength and beat him

Vegeta is extremely aggressive and cold-blooded. Since his childhood, Vegeta has proven himself a ruthless killer, merciless like most Saiyans. 

Vegetas Grudge against Goku is what makes him a very angry person.












other characters i've seen whom fit in this category but i'm not going to expand to much on are also

Uma Thurman in Kill Bill (2003) whom changed from an Antagonist to a Protagonist and for doing so her husband to be got killed by 'Bill', which made her go on a rampant anger fuelled revenge
 



Jugo from Naruto

An outcast, Jūgo's rage made him a danger to anyone around him, as they stood little chance of survival should he lose his temper. At one point, he became so angry that he destroyed a village and all of its inhabitants. This has caused others to label him as the "Scales", where anything could tip the balance.


 


Conclusion
Even though this is a journey through anger, as we can see from this research, anger can be portrayed in many different ways. I could have an emotional good or evil character; whom could get angry at any given moment for a number of reasons, or could be angry 24/7. Hopefully this research will help me towards building a better character that conveys the idea that their angry.



Followers

Andrei Allen. Powered by Blogger.

Copyright © Andrei Allen UCA Broadcast Media Blog -Black Rock Shooter- Powered by Blogger - Designed by Johanes Djogan